The opening reception of the Society of American Travel Writers' 2009 convention took place in Gaudalajara's magnificent, monumental Hospicio Cabañas. Originally a hospital and refuge for the homeless and the helpless, and later an orphanage, it now houses the Cabañas Cultural Institute and its schools for arts and crafts, and it has been named a UNESCO World Heritage Site. Aficionados of Spanish Colonial architecture know it for its grandiose presence in the heart of Mexico' second-largest city. Art lovers revere the brooding, dramatic murals painted by Jose Clemente Orozco more than 120 years after the building was completed. Much of Orozco's work in his native country was destroyed, because it was considered to dark and too violent, but masterpiece remains.
That we would see Orozco's work in the Hospicio Cabañas was no surprise. What was a surprise is that at the end of the opening event, someone casually mentioned that the Faberge collection would be left open for us. If you read Spanish better than I do, click here for more information on the exhibit. I have no idea how long this magnificent exhibition of Romanoff treasures will be open, but I was thrilled to have seen it. Photography was permitted -- under the watchful eyes of armed guards --but I was too busy looking and trying to puzzle out the key parts of Spanish descriptions of each object to try to take lots of pictures, and some that I snapped through glass didn't come out all that well. There were, of course, jewel-encrusted compacts, cigarette cases and more; paintings and paper documents; swords and scepters; garments and opulent geegasws, and an intruiging explanation of the role the late Jacqueline Kennedy Onassis had in protecting (or something) Romanoff treasures when as an editor with Doubleday, she shepherded a book on the topic.
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